How does John Kongsgaard make his wines?
You’ve probably heard the saying, “You must know the rules in order to break them.” That perfectly captures Kongsgaard’s philosophy.
He was one of UC Davis’s top students and learned every aspect of modern winemaking — yet he deliberately turned his back on modern methods and works almost entirely as winemakers did centuries ago, combined with his own high standards.
His vineyards are farmed organically and entirely by hand. Careful grape selection, hand-harvesting, and multiple sorting passes are all standard. He ferments with stems, never destems — not even white grapes. Only minimal sulfur is used, and only when malolactic fermentation needs to be prevented. Fermentations occur spontaneously in oak barrels, with native yeasts — commercial yeasts have never entered his cellar. There’s no pumping or temperature control, as he works completely without electricity during winemaking.
His wines are neither fined nor filtered — true low-intervention winemaking. They age in small oak barrels, often used multiple times, and undergo very long élevage so they can fully develop character. However, one form of electricity does play a role: John Kongsgaard loves classical music, which he believes affects the atmosphere in the cellar — and therefore the wine. His barrels, too, are regularly “serenaded” with classical compositions.